Jake Speer and Mia Lethbridge in Barefoot in the Park, photo by Clare Hawley. Play. Corie and Paul Bratter's new Manhattan apartment., February 1960s. The cast included Elizabeth Ashley (Corie), Robert Redford (Paul), Mildred Natwick (Mrs. Banks), and Kurt Kasznar (Victor Velasco); the director was Mike Nichols. Corie is described as Lovely, young, and full of hope for the future.. By the end of the play, Corie begins to appreciate Pauls practical qualities, while Paul demonstrates that he too can be playful as they walk barefoot in the park together. (They kiss again, a long passionate embrace.). . Corie makes the decision to set her mother up with Victor Velascowithout Mrs. Banks knowledgethus creating conflict: Corie: Well, if I told you it was a blind date with Mr. Velasco upstairs, I couldnt have blasted you out of the house. Professional Researcher, Current Graduate Student, B.A. I still love you. I didnt say youre a stuffed shirt. Velasco intends to escort Mrs. Banks home without considering the return trip: Mother: Oh, no! She will act on things rather than think about them first and is therefore constantly active. Telephone Man: (Not too thrilled.) Mr. Velasco prides himself on his eccentricity. The exterior of Paul and Corrie's walk-up apartment building is 111 Waverly Place in Greenwich Village, just steps away from Washington Square Park. SUNDAY IN THE PARK, An Analysis by Scott Miller - New Line Theatre Ill sign over your pajamas and slippers. Shortly after moving in, Corie attempts to set her mother up with their eccentric neighbor Mr. Velasco. However, Corie, Paul's wife, is not satisfied. A popular Romantic Comedy by Neil Simon, which premiered on Broadway in 1963. to read our character analysis for Mrs. Ethel Banks and unlock other amazing theatre resources! This is in contrast to her husband, Paul, who is unemotional, level-headed, and a bit of a loner. Neil Simon characterizes Corie as Lovely, young, and full of hope for the future. In describing the apartment, the author observes: Someone with taste, imagination and personality can make this that perfect love nest we all dream about. Corie exemplifies hope vs. dream: she dreams thinking she is hoping, and not until the last act does she realize the difference. Velasco: GoodIll call the New York Hospital for a reservationPick me up in a few minutesWell have a glass of buttermilk before we go. You must show up in person to place your name on the list during this time. Velasco: Why worry about it now? Paul must understand that his past with Corie and the memories it has created, demonstrate the paramount importance of his marriage; Corie must come to the understanding that Pauls career ambitions are important and necessary for him to attend to in order to take care of her: Corie: Hes not a fuddy duddy.
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